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The Conceptual Framework is a linked set of agencies that assist in the critical analysis of art. They can be discussed as separate entities or by connecting them to meta-frames that are cultural, structural, subjective, and postmodern. ==Overview== The four agencies encompass the questions of "who, what, when, where and why", and are as follows: # Artist – the role of the artist where the art work is explored as the product of practitioners such as artists, artisans, craftspeople, architects and designers. The artist can be seen as an individual or as a group or movement. # Audience – the role and value of the audience. The concept of audience can be evaluated historically or critically. The audience may be specific such as art historians or critics, or other members of the public such as students, teachers, art buyers, etc. Or the audience may be abstract as when notions of "viewing" and "authorship" come into it. Artworks themselves are static, but the audience and their interpretation changes over time. # Artwork – artworks as real objects. This includes paintings, sculpture, architecture, design, performance art, and genres of these, as well as presentations of an artist's personal and cultural reflections. Additionally, there exists the opportunity for symbolic interpretations and modern reinterpretations. # World – how interests "in the world" are represented in the art. This includes Socio-political aspects such as class, ideologies, etc.; experiences of the world, personal to the artist or experienced by the collective; interests of the art world — movements, styles, innovations, pressures, technology and more. 抄文引用元・出典: フリー百科事典『 ウィキペディア（Wikipedia）』 ■ウィキペディアで「The Conceptual Framework」の詳細全文を読む スポンサード リンク
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